In developing this brain study, I began by collecting photo references of veal brains to closely examine their color, texture, and structural details-specifically the patterns of the sulci, gyri, and surface vasculature. Veal brains were chosen because their size allowed the organ to naturally fit within the hands, which was central to the composition. I created a rough sketch of the brain placed within a photo of my gloved hands to establish accurate positioning and determine how light would interact with the tissue, helping define the placement of specular highlights and the nature of reflected light.

Before beginning any hyperrealism piece, I create a planning sheet that compiles refined sketches, color tests, and texture studies. For this drawing in particular, I created a detailed sample rendering of a small brain segment to experiment with how color gradients and shadows could shape the curved form of a gyrus and the recessed depth of a sulcus. This preparation was essential in translating anatomical accuracy into a lifelike and dimensional final rendering.